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한국디자인사학회 Design History Society of Korea 04066 94, Wawasan-ro, Mapo-gu, Seoul Hongik University Hongmun Hall 1203
Hybrid 3D graphic image study
Choi Subin
  • Introduction
  • Visual hybridity
  • The gap in mixed 3D graphic images
    • Physical gap
    • The gap between resolutions
    • The gap between editing tools
  • 결론
3D, 3D 그래픽, 3D 그래픽 이미지, 3D 그래픽 디자인, 하이브리드, 시각성, 시각적 혼성
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요약

Recently, in various genres and media including graphic design, we can find cases where 3D graphics are mixed with elements with different visual characteristics. 3D graphic images have already been actively used as a language with their own grammar and sensory characteristics, but such visual hybridization is created when social conditions such as changes in image recognition due to internet culture and the dissemination of 3D graphic editing software are premised. do. This study focuses on grasping the visuality of newly appearing and evolving according to technological development and changing cultural backgrounds from the perspective of both the subject of image production and the audience. In addition, this explores the conditions and concrete cases where visual hybridization occurs in 3D graphics, and ultimately presents visual results based on them.
3D, 3D 그래픽, 3D 그래픽 이미지, 3D 그래픽 디자인, 하이브리드, 시각성, 시각적 혼성
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