Mongolian character font design method to improve the horizontal formativeness of lines
-
Introduction
-
Research background and purpose
-
Research method and scope
-
Glossary of terms
-
Research background and purpose
-
The necessity of improving the structural characteristics of Mongolian scripts and the horizontal formativeness of the lines
-
Structural features and problems of Mongolian script
-
The necessity of improving the horizontal formativeness of Mongolian text lines
-
Structural features and problems of Mongolian script
-
Understanding Mongolian scripts considering the change of line direction
-
Difference between horizontal and vertical font format
-
Changes in the form of existing Mongolian characters
-
The Status of Mongolian Typeface Design and'Baekche'
-
Finding problems and finding ways to improve them through analysis of'white bodies'
-
Difference between horizontal and vertical font format
-
Basic Guidelines for Mongolian Character Font Design
-
Basic font structure and method of classifying graphemes
-
Basic guidelines for column size, slope, and letter spacing
-
Basic guidelines for line baselines
-
Basic font structure and method of classifying graphemes
-
Suggest a design method
-
Design method focused on font structure
-
How to keep the balance of the inner space
-
How to scale up and down the baseline
-
How to adjust between letters
-
Design method focused on font structure
-
conclusion
타이포그래피, 몽골 문자, 몽골어, 가로짜기, 글꼴 디자인
요약
The Uyghur Mongolian script is the only text written vertically in the world. In the meantime, there have been many attempts and efforts to apply Mongolian characters to the horizontal writing digital environment. However, the most effective way to apply to the horizontal writing environment while maintaining the method of writing the monograms of the Mongolian scripts in a row is unfortunately, using the lines laid down at 90°. Although some of the recently developed fonts are opening up the possibility that suits this, the reality is that the fonts optimized for vertical writing are physically laid out horizontally and are very insufficient in terms of the formative completeness of the font and the aesthetic perfection of the typesetting based on them. . Therefore, in order to produce a font suitable for special Mongolian characters that are read horizontally, this study pays attention to differences in font formativeness, balance, and writing direction when switching from vertical to horizontal. I would like to analyze through (白体) and propose key methods of Uighur Mongolian font design to improve the formativeness in the horizontal direction of the lines. As a result of the study, based on the method of classifying the graphemes of Mongolian characters, four visual elements were organized, such as'tilt','inner space','baseline vertical proportion' and'between characters' to improve the format of Mongolian fonts in the horizontal direction of the lines. Suggested a control plan. And based on this, I showed how the Mongolian font design method in the horizontal direction of the line should be different from the traditional Mongolian font design in terms of the type of Mongolian font, the method of classifying the grapheme, and the angle of stroke and writing. This study is essential for securing the possibility that Mongolian scripts can be mixed with the majority of horizontally written characters while maintaining the tradition, and for the survival and expansion of characters as well as formative aspects. Further studies on readability and readability are still needed in the future.타이포그래피, 몽골 문자, 몽골어, 가로짜기, 글꼴 디자인